Friday, December 22, 2017

Baroque Printmakers

Charles Le Brun
Hours of the Day - Aurora (Dawn) - Satyr, Bacchante, and Child
1640
etching
British Museum

Charles Le Brun
Hours of the Day - Meridies (Mid-day) - Satyr, Bacchante,  and Child
1640
etching
British Museum

Charles Le Brun
Hours of the Day - Vesper (Evening) - Satyr holding child, Bacchante in background
1640
etching
British Museum

Charles Le Brun
Hours of the Day - Nox (Night) - Satyr, Child, and Bacchante sleeping
1640
etching
British Museum

Jan Harmensz Muller after Adriaen de Vries
Death of Cleopatra
ca. 1654-66
engraving
Rijksmuseum, Amsterdam

Jan Harmensz Muller after Adriaen de Vries
Prudentia
ca. 1654-66
engraving
Rijksmuseum, Amsterdam

Jan Harmensz Muller after Cornelis van Haarlem
Two Wrestlers
before 1628
engraving
Rijksmuseum, Amsterdam

Frederick Bloemaert after Abraham Bloemaert
Hunters
before 1669
engraving
Teylers Museum, Haarlem

Frederick Bloemaert after Abraham Bloemaert
Landscape
before 1669
engraving
Teylers Museum, Haarlem

Frederick Bloemaert after Abraham Bloemaert
Landscape
before 1669
engraving
Teylers Museum, Haarlem

Frederick Bloemaert after Abraham Bloemaert
Sea-coast
before 1669
engraving
Teylers Museum, Haarlem

François Chauveau
Head of old Satyr
ca. 1630-76
etching
British Museum

Hendrick Goudt after Adam Elsheimer
Salome receiving the head of St John the Baptist
before 1648
engraving
Fine Arts Museums of San Francisco

"Hendrik Goudt (1583-1648) was one of the most influential printmakers in 17th-century Holland.  His seven engravings after German painter Adam Elsheimer (1578-1610), with their dramatic chiaroscuro effects and dark tonalities, led the way for dark prints by such other artists as Rembrandt van Rijn (1606-1669) and Jan van de Velde II (ca. 1593-1641).  . . .  He was the son of Arend Goudt, a member of the lesser nobility in The Hague.  Goudt went to Rome in 1604 and by 1607 is recorded as living in Elsheimer's house; by 1609 he was living in a house nearby.  According to the account written by Joachim von Sandrart (1606-1688), Goudt was Elsheimer's pupil; it is clear that Goudt's drawing style was based on Elsheimer's.  Sandrart also recorded that Goudt purchased many of Elsheimer's paintings.  Elsheimer suffered financial difficulties and probably was put in debtor's prison, where he may have contracted his fatal illness.  Goudt's role in this is unclear, but apparently they reconciled after Elsheimer's release and before his death in 1610.  While Italian records list Goudt as a painter, two of his engravings after Elsheimer were made in Rome, dated 1608 and 1610.  The remaining five engravings were made in 1612 and 1613, after Goudt returned to Holland to live in Utrecht.  He brought with him a number of Elsheimer's paintings.  He was accepted into the artist's Guild of St. Luke as an engraver and a nobleman.  He was apparently a man of means, and acquired valuable real estate in 1612.  . . . After about 1620 he suffered from mental illness and was declared incompetent in 1625.  Sandrart visited Goudt in Utrecht in 1625 and 1626 and found him feeble-minded; other contemporary documents record the same.  He died in 1648 in Utrecht."

 from curator's notes at the Fine Arts Museums of San Francisco

Goudt's relationship to the the far more famous Elsheimer sounds like a Henry James novel  wealthy young dilettante befriends improvident genius, whom he then exploits and destroys, but is later overtaken in his own turn by guilt (or nemesis) and driven mad.

Pieter Claesz Soutman after Adam Elsheimer
Martyrdom of St Lawrence
before 1657
engraving
Rijksmuseum, Amsterdam

Grégoire Huret
Mars and Minerva with Time asleep and Fame flying aloft
ca. 1642-44
engraved title-page
British Museum

Alexander Voet after Jacob Jordaens
Old man with cat
ca. 1662-74
engraving
Rijksmuseum, Amsterdam