Wednesday, February 22, 2017

Miseroni Workshop from Milan to Prague

Gasparo Miseroni
Cup with cover
ca. 1550
carved rock crystal, gold mounts
Prado, Madrid

"The Miseroni originally of Milan worked for the Habsburg court in Prague throughout the seventeenth century. Theirs was one of the great workshops specializing in the carving of rock crystal."

 curator's notes, British Museum

Gasparo Miseroni
Shell-shaped Cup
ca. 1565-70
carved rock crystal, enameled-gold mounts
Kunsthistorisches Museum, Vienna

Gasparo Miseroni
Dragon-shaped Cup
ca. 1565-70
carved lapis lazuli, enameled-gold mounts set with gems
Kunsthistorisches Museum, Vienna

Gasparo Miseroni
Vase and Cover
before 1573
carved agate, gold mounts set with gems
Prado, Madrid

Miseroni Workshop
Two-handled Vase
ca. 1580
carved rock crystal and smoky quartz, gold mounts
Prado, Madrid

Miseroni Workshop
Bowl
ca. 1580
carved chalcedony, gold mounts
Prado, Madrid

Ottavio Miseroni
Shell-shaped Cup
ca. 1600
carved jasper, gold mounts
Prado, Madrid

Miseroni Workshop
Two-handled Bowl
ca. 1610
carved rock crystal, gold mounts
Prado, Madrid

Miseroni Workshop
Vase and Cover
 ca. 1620
carved citrine, enameled-gold mounts
Prado, Madrid

Miseroni Workshop
Vase and Cover
ca. 1647
carved smoky quartz, enameled-gold mounts set with gems
Prado, Madrid

Miseroni Workshop
Vase and Cover
ca. 1650
carved rock crystal, silver-gilt mounts
Victoria & Albert Museum, London

attributed to Ferdinand Eusebio Miseroni
Ewer
ca. 1680
carved rock crystal, enameled-gold mounts, diamonds
Metropolitan Museum of Art, New York

attributed to Dionysio Miseroni
Vase with Nereid figure
ca. 1600-1620
carved rock crsytal, gold mount set with gems
British Museum

"The Venetian collector Andrea Vendramin showed his pride in the 'extremely honourable decoration' of ancient Greek and Apulian vases in his study. The manuscript catalogue of 1627 which details this part of his collection, De Sacrificiorum et Triumphorum Vasculiis, is prefaced with his sketch of one wall of the room in which the vases were carefully arranged and classified in individual wooden compartments. The catalogue reveals that Vendramin's collection contained several objects that were not ancient, but does not indicate whether Vendramin was himself aware of this. A standing cup of rock crystal is illustrated on folio 31, which, from its engraved decoration, proportions and carving technique, would seem to be a product of the famous Miseroni workshop. It can be compared with a similar vase [immediately above] which dates from the early seventeenth century and is attributed to Dionysio Miseroni, working in Prague (British Museum, London). Significantly, this vase later belonged to Sir William Hamilton, who considered it to be ancient."

Dora Thornton's suggestive mention here of the Miseroni workshop occurs in her book, The Scholar in His Study (Yale University Press, 1997). She is inquiring about material embellishments thought proper and impressive for the small, personal library-and-treasure-rooms used both as serious retreats and as status-symbols in Renaissance and Baroque times.  " . . . so by gathering together an ensemble of so many gems and objects of extraordinary beauty and richness, and not omitting to put in their places some little vases of agate and other precious stones, you will give pleasure to yourself regularly and to others on occasion, besides it serving as an antidote to all your worries."

Dionysio Miseroni
Vase and Cover
1639-40
carved rock crystal, gilt-bronze mounts, enamel
Liechtenstein Museum, Vienna