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| Julia Margaret Cameron Call, I Follow, I Follow (Mary Hillier) 1867 Getty |
Mary Hillier and Julia Margaret Cameron were two of the most successful collaborators in the history of nineteenth-century English art. During the 1860s and 1870s Hillier was Cameron's favorite and most responsive model. The body of work they made together was rediscovered in the 1970s. Its reputation is by now securely established.
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| Julia Margaret Cameron Madonna & Child (Mary Hillier) 1865 Getty |
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| Julia Margaret Cameron The Three Marys (Mary Hillier) 1864 Getty |
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| Julia Margaret Cameron Holy Family (Mary Hillier) 1872 Getty |
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| Julia Margaret Cameron Sappho (Mary Hillier) 1866 Getty |
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| Julia Margaret Cameron The Communion (Mary Hillier) 1870 Getty |
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| Julia Margaret Cameron Venus Chastising Cupid (Mary Hillier) 1872 Getty |
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| Julia Margaret Cameron Trust (Mary Hillier) 1865 Getty |
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| Julia Margaret Cameron Long-suffering (Mary-Hillier) 1865 Getty |
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| Julia Margaret Cameron Adriana (Mary Hillier) 1866 Getty |
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| Julia Margaret Cameron The Angel at the Sepulchre (Mary Hillier) 1869 Clark Art Institute |
The albumen silver portrait-print of Julia Margaret Cameron (below) was made by her youngest son, Henry Herschel Hay Cameron.
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| Henry Herschel Hay Cameron Portrait of Julia Margaret Cameron 1874 Getty |